The Malee Scholarship

Each typeface has its own character (pun intended!).

This section gathers a selection of great typefaces designed by women from all over the world.

But what does each typeface aim to express?

Let’s let them speak for themselves!

Malee Sans & Malee Serif typeface. Designed by My-Lan Thuong.

فونت کارخانه، فونتی است که برای نوشته‌های مستند و روایت‌هایی از تاریخ معاصر طراحی شده، الهام‌بخش این فونت دست‌نوشته‌های متاثر از فراگیر شدن حروف چاپی و فونت‌ها در دهه‌ی چهل و پنجاه شمسی است.
Lyean (Lián 连), meaning “connection” in Chinese, aims to build a connection between each Chinese ethnic minority script, fostering cultural exchange and creating a warm cultural space.
Endure Good Friday, for Easter Sunday is just around the corner.
The pointed flare serifs and terminals give a slashed, violent quality, while the curves and swashes evoke grace and poise.
Jin Imitation is inspired by Zhao Ji’s slender gold script, bringing the elegance and dynamic of Chinese calligraphy into a modern Latin design.
Torogoz is a text typeface inspired by the angular and square shapes from the national bird of El Salvador.
Hell Inc. seeks redemption from tempestuous feelings through a journey of weight & proportion.
लोकल और क्वर्की! कॉमिकल पर जाँबाज़! नटखट व मासूम जैसे मोहक गुणों से भरपूर है यह फ़ॉण्ट, नाटक।
Noodeau, a display connected script that pulls characteristics from ramen and Art Nouveau
An experimental high-contrast typeface bending the rules to the extreme of 45 degrees in both directions.
The intersection between human and machines is inevitable, but wonderful, errors.
 Viết ra giấy khiến các ý tưởng sáng rõ và giữ cho ký ức tươi mới.
The inevitable traces of colonialism in our design history does not make our work any less authentic.
"I'm born from a revolution, I'm inspired by Arabic, and I seek nothing but the truth."
नीले आसमान, बादलों और तारों तक
활자 「완완」의 글자들은 고전적이고도 완고하고, 꼿꼿한데 동글동글하며, 고집이 세며 동시에 기묘한 활기가 넘칩니다.
It shouldn’t matter whether a font is straight or italic. It’s not about orientation, it’s about letters and ornaments.
Monga is clear, friendly, dynamic, rooted in tradition without being obsolete. It supports Bengali and ইংরেজি লিপি
‘You might think I look oldfashioned, but Dutch hipsters love me.’
“Inspired by typewriter fonts, I have an outgoing personality to bring out all the fun in games and letters!”
i imagined an experimental way to use the outlines.
“Reorchestrated censorship is the essence of tyranny, but we must question and stay curious to disclose the highly classified governmental information.”
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“I am designed to suit and celebrate the Yoruba (Èdé Yorùbá) language. Open your ears, close your eyes and fully listen to me.”
English और हिंदी लिखने के लिए, use Tiffin straight out of the box
Have you ever seen a reversed contrast stencil fatface
“Ask me to be direct, I will be direct. Ask me to be attractive, I will be attractive. Ask me to be strong, I will be strong. But don't ask me to shut up because I won't be able to.”
“Stubborn & grounded. Neither delicate nor fragile; Resolve won’t snap under pressure.”
カチカチ
“Properties of Pulque: Removes anguish, extinguishes guilt, makes you forget and brings friends closer.”
“Silpancho is inspired by vernacular signs in Bolivia with a strong voice and mechanical construction.”
“I'm high-contrast and modern, with sharp notches and clean cuts.”
“I am utterly delighted to make your acquaintance”
“I might be a bit rough around the edges, but hey: I call that having a personality.”
“An unusual and daring definition of the notion of a type family.”
“Это пощёчина общественному вкусу!”
“Я бы сказал что-нибудь умное, но я всего лишь шрифт.”
“저는 물처럼 여러 가지 모양을 취해요. 사람들이 제 흐름에 손을 뻗을때 비로소 조화롭고 세련된 공생관계가 이루어져요.”
“ تبعت آثار الحزن لأرسم الظلام الذي رأيته ”
𛈖𛋉𛅰𛉊 𛆤𛅽𛊓𛆁
“It’s mountain time!”
من قال إن الرسمي لا يمكن أن يكون ودوداً أيضا؟
‘AN ART DECO SAFETY GRILL’
‘ฉันพิสมัยโครงสร้างลายมือเขียนอันงดงามและไม่ปฏิเสธว่ามันอยู่ในตัวฉัน แต่รู้ไหม ฉันช่วยคุณออกแบบหนังสือพิมพ์ได้ทั้งฉบับเช่นกัน’
“STAY TRUE TILL YOU’RE THROUGH.”
સ્વાદિષ્ટ રીતે સર્વતોમુખી
“பழமையின் அழகுடன் புதுமையின் பொழிவு”
‘I am a book, serif typeface with calligraphic roots, inspired by chess pieces. Checkmate.’
‘I am an experiment in variable font technology to undermine type-patriarchy, amplify feminist design, and disrupt the notions of the neutral.’
‘I am not bipolar, but with me, it’s all or nothing’
お好み焼き 130円!
‘Pairing sensitiveness with functionality and giving it a twist.’
‘Thank you, Emil Rudolph Weiß! It was an honor working with you.’
Работа и игра—это одно и то же действие совершаемое на разных условиях.
‘Give me a headline and I’ll get you the readers’
‘Type hard and be nice to readers.’
‘Not everything is black or white, nor Serif or Sans’
‘I value friendly characters as much as a serious attitude’
‘Who said that stylistic mashups are not contemporary?’
Each typeface has its own character (pun intended!). This section gathers a selection of great typefaces designed by women from all over the world. But what does each typeface aim to express? Let’s let them speak for themselves!
내 젊음의 빈 노트에 무엇을 적을까
‘I’m so elegant and refined, I peel shrimps with a fork and a knife.’
‘My Nokia 3210 resists to break and performs much better than your iPhone X.’
‘I’ve seen it all. Since my wooden birth in 1830, and after I entered the digital era in 1990.’
‘I would usually go for a textbook rather than a historical novel’
‘Does my voice sound familiar? From Titanic to Black Swan, I am the queen of movie posters.’